a maelström of shouts, slaps, small dances, kabuki love scenes, tribal singings. They shift from loneliness to togetherness, sensation to dance soli, grotesque to subtle movements, from burning to shining, from sheding to getting rebirth.
Collaboration proposes its own anarchy mode. We have embrassed that mode. Which means that we have looked for a practice that would let conflicts of diversity, of timing and of characters emerge in the same space and in the same time. The intended conflict creates an intense listening.
Our strategy is to clash and contaminate each other in order to destroy what was and allow what is; to enlarge what was prepared for what appears.
The playful relationship that gets created in between the performers and with the audience echoes the one of the childhood: light, cruel, honest and passionate.
Their journey passes through simultaneously poetic and violent realities. This piece exposes the fragility and the humour of the changing moment.